Tag Archives: blockbuster

Blockbuster Looks in DaVinci Resolve: The Matrix

This article was originally published on PremiumBeat’s blog.

The green tint of the Matrix universe drips with dystopian atmosphere. Learn how to achieve this look in DaVinci Resolve.

Above image from The Matrix

In an previous article, I analyzed the orange-teal look, a style popularized by theTransformers series that’s now featured in numerous Hollywood films, regardless of genre. Before Transformers, there was The Matrix, which showcased its own distinct look.

The Matrix depicts a technological dystopia, so the filmmakers decided the overall green tint was a nod to the monochromatic green of command-line computing, one of the first images used in the movie.

matrix_fix

The most interesting aspect of the film from a color perspective is that The Matrixruns contrary to traditional styles of rendering skin tones in healthier yellow, orange, or magenta registers. Skin is colored by the epidermis’s melanin as well as red-colored hemoglobin in the blood. Green skin, on the other hand, evokes decomposing or dead flesh.

Most skin complexions fall in a general range that is approximated by DaVinci Resolve’s Skin Tone Indicator, which can be activated in the Vectorscope preferences. The indicator line runs between red and yellow, the combination of our skin and blood.

DaVinci Resolve’s Skin Tone Indicator shows roughly where most healthy skin tones will fall, at least on typical jobs. Access this feature by clicking on the lower right preference button.

Blockbuster Looks in DaVinci Resolve: skin tone indicator

Certainly you wouldn’t see a Matrix grade on most fashion jobs, where healthy, vibrant skin tones are the name of the game. Many artists who use Photoshop’sCurves to manipulate a fashion image tend to steer away from the green slider, instead opting to utilize the red and blue to create distinct looks. The Matrix is the furthest thing from a fashion job though, so the Wachowskis went in a different direction by addressing the science fiction tone of the film.

When referencing The Matrix, consider your project’s material and how much healthy skin tones matter. It may seem an obvious choice if you’re grading a fantasy, noir, or science fiction movie, but why not experiment with other genres?

Bringing in one of the stills from the film shows a definite bias toward green, and the image deviates from the Skin Tone Indicator as we suspected.

Read the full article on PremiumBeat’s blog.

Blockbuster Looks in DaVinci Resolve: Transformers

This article was originally published on PremiumBeat’s blog.

The Transformers franchise helped usher in the era of the Teal and Orange color palette. Here’s how to achieve Hollywood’s go-to look in DaVinci Resolve.

Color palettes in movies are subject to stylistic shifts just like wardrobe, editing style, or actor choices. Recently, many Hollywood movies have trended toward specific color palettes so that viewers are left remembering their unique visual style. Let’s take a look at one of these looks in our favorite color grading software, Davinci Resolve.

 Approaching the Grade

The current popular look for major Hollywood movies adds blue to the shadows and orange into the midtones and/or the highlights. Orange and blue are complementary colors, so when their values are enhanced, a natural color separation occurs that is pleasing. This look has been employed on dozens of Hollywood movies, one of the first and most recognizable being Transformers. It’s interesting to observe how extreme this look had gotten by the time of its sequel.

Let’s begin by balancing the image. This will quicken your coloring chops but will also achieve a level of consistency across all shots in the timeline before extreme gradesare applied.

Our original image. It’s a bit flat, but that’s exactly why we’ll perform our primary balancing correction.

Blockbuster Looks in DaVinci Resolve: Transformers - 1

Here’s my balance of the image. I’ve given the image a nice, even exposure without pushing the saturation too much.

Blockbuster Looks in DaVinci Resolve: Transformers - 2 - balance

Here’s where I netted out on the primary corrections.

Blockbuster Looks in DaVinci Resolve: Transformers - 3 - primary

Read the full article on PremiumBeat’s blog.